Joso soon began to publish his jokes and comics.
At the age of 19 he was already collaborating for Tío Vivo published by Crisol.
There he published a variety of jokes, including those starring The wise Eurekaand comic strips, and comic strips of series such as Lidia and her little brother Jaimito and Don Cuplé.. He continued to collaborate for Editorial Bruguera in magazines such as El DDT, Can Can, Pulgarcito or the first period of Din Danagain with jokes and with series such as Marilín, Blanquita Ese, Pepito Almendritos or Epitafio Perdigón. Epitafio Perdigón, which does not even hit with a cannon..

His extensive career in this field also includes his participation in newspapers such as Dicen, Barcelona Deportiva y Avuimagazines such as Readings, humorous weeklies such as
La PZ or comics such as Hiccup, Monkey and Fifi, RufufuPepe Cola, Pepe Cola, Tele Chico, Tele Cómico o Amaniac. And let’s not forget his presence, making live graphic jokes, for the show
Style,
Amor meu, Reina por un día and A todo gas from TVE’s Miramar Studios.

Joso has been able to adapt perfectly to all assignments, showing a healthy, fresh and essentially white humor, basically due to the historical and political environment in which he published his work until 1975.
And always with that graphic seal that identifies him.